When guest blogger Katy Keffer moved from Kentucky to Germany just before seventh grade, she started journaling. The emotional (and physical) adjustment of moving to a foreign country where I did not speak the language morphed into a writing practice that stretched for decades. It flourished and then it fizzled. Poof! Gone. Here’s how she got it back.

When you work with another author, there are many considerations that have to be made because you’re not going it alone. Guest blogger Emily Romero shares her insights.

Being your own last judge means that you are in control. You are the big boss. The one who ultimately makes the decisions—all of the decisions, including which changes to make to your manuscript.

No one is all bad, not even your antagonist. Here are some tips to bringing the bad guys to life.

Achieving clean copy from cover to cover requires a mammoth amount of effort. Here's my process.

If you’re asking yourself, Why am I doing this? Why am I trying to accomplish something that’s so hard?, then you should read this post.

My books are populated with characters of varying strengths and weaknesses, abilities and disabilities. One of them requires a wheelchair. Is my portrayal accurate, believable, positive? Enter the Sensitivity Reader.

I’ve noticed that even with my favorite books, there is usually something I don’t love about the book. The interesting thing, I think, is that I still love that book unconditionally.

Tips to help you get the ball rolling.

Story structure is pretty complex, so I understand why some writers resist learning about it. “I don’t want to write in a formulaic way,” is one of the common responses. But story structure does not require you to write formulaically.

This week's blog is a guest article by author Deborah Sheldon, who discusses how the Covid lockdown affected the writing of her novella Readhead Town.

I didn’t always like character sketches. They were like homework I did not want (or need) to do. I no longer feel that way.

The great thing about making an audiobook is that it requires a relatively small amount of time compared to writing and publishing a novel. Part 1 in this short series will provide a general outline of how an audiobook is made, and Part 2 will dive into the particulars of hiring a narrator and other details.

Instead of speeding headlong into 2024 with new material, I’m going to start off the year with a peek back at 2023 and the many blog posts I (and a few guest bloggers) wrote.

In this blog post, I talk about series and the kind of thinking that can help you get started on writing one.

The objections to the typewriter were the bleating heart of nostalgia. Such feelings occur when a change is so unfamiliar it frightens us back to comfortable corners. Such are the objections to AI writing tools today. This is a guest blog written by Zoë Routh.

Concise writing clearly expresses itself in the fewest number of words. Because it doesn’t carry any baggage, it speeds along the page. Here’s how to create it.

Guest blogger Cookie Boyle started her book before meeting her husband. He had given her feedback on her plays, and she gave him feedback on his scripts. But her novel was different. It predated their time together, so she thought she could and should finish it on her own.

Self-editing is about seeing what’s really there and recognizing what is not but should be. Here is a short checklist to help you do it well.

POV and Setting go hand in hand in creating a world your reader can visualize. Are you sure you have a good handle on them?